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Grateful Dead Live at The Spectrum on 1987-09-23


Topics Joe D'Amico


Set 1

Feel Like A Stranger ->
Franklin's Tower
Walkin' Blues
Friend Of The Devil
Tons Of Steel ->
Desolation Row
Big Railroad Blues ->
The Music Never Stopped

Set 2

Bertha ->
Cumberland Blues
Playing In The Band ->
Uncle John's Band ->
Playing In The Band Jam ->
Drums ->
Space ->
I Need A Miracle ->
Dear Mr. Fantasy ->
Around And Around ->
Good Lovin' ->
La Bamba ->
Good Lovin'

Encore
U.S. Blues


Collection GratefulDead
Band/Artist Grateful Dead
Date September 23, 1987
Venue The Spectrum
Location Philadelphia, PA

Source nak 300 mics w/ cp4 shotguns > sony d-5 D
Lineage nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D
Taped by Joe D'Amico
Transferred by Joe D'Amico


Reviews

Reviewer: njpg - - September 24, 2013
Subject: -
Excellent show, and the La Bamba is an extra special treat. Never heard Garcia do mariachi before. He's a natural!
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Source: OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Sony ES-Metal 90's, with no Dolby.
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Source: Recording Info: Nakamichi CM-300 mics w/ CP-4 shotgun caps/Sennheiser 421's > Niles Audio Mixer > Sony D-5 (Front Row OTS); Transfer Info: MAC > Tascam 112 > Edirol UA-5 > Audacity > Traders Little Helper > FLAC Level 8; All recording, transfers, and mastering by Greg Holtz
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Source: Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
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Source: Source: 2 Sonic Studio DSM-1S/x microphones (up front & center) > Sony TC-D5M - analog master cassettes
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Source: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XL II 90,100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
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Source: flac16:Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes
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Source: lineage: (2) nakamichi 300 cp4> d-5 mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
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Source: Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Uknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Unknown Mics -> Master Cassette (Nakamichi 350)
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Source: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand "next to the soundboard".